Old Boneyards of New England

Text & Photos by Fred Berger

Nowhere in this benighted land of ours are the shadows of the past deeper and darker than in New England, a place settled by the Puritans who fled religious persecution in their English homeland to establish communities based on strict biblical principles. But here they were vexed by new fears born of a vast untamed wilderness where strange heathens and the Devil roamed. The harshness of their austere lifestyle and draconian belief system is evident in the graveyards they left behind, haunting monuments of a simpler yet unforgiving time, decorated with rudimentary carvings of placid angels and dour skulls.

This horizontal Black & White photo depicts an attractive young woman lying on a sarcophagus and holding a real human skull to her breast. She is seen in profile facing to the left and is visible from her upper torso to her head. The skull is also in profile and faces to the right. She has long black hair and pale skin, and her makeup consists of dark lipstick, heavy eyeliner, and thick eyebrow pencil. She has three earrings in her left ear, two chain necklaces, and rings on her left thumb and index finger.  She wears a black cotton sleeveless dress. The lid of the sarcophagus is covered in carved inscriptions which are half obstructed by her body, but judging from what can be seen they comprise a eulogy for the entombed individual.
Michelle communes with a departed soul on a sarcophagus slab in Milford Cemetery. (Photo & Copyright © by Fred Berger.)

In 1990, I visited the Milford Cemetery in Milford, Connecticut with one of my models, Michelle Duncan, whose somber beauty lent itself to many a macabre and mysterious theme. Established in 1642, it is one of North America’s oldest graveyards and is typical of the period with its irregular rows of narrow tombstones and the occasional sarcophagus. It even boasts its own resident ghost, a woman dressed in white known to stroll its grounds after nightfall. Using a real human skull as a photographic prop, Michelle quickly got into character, channeling the spirits of the dead in a state of necromantic reverie.

This horizontal Black & White photo depicts a handsome young man sitting with his back against a tombstone. He is seen in profile facing to the right and is visible from his midsection up, cradling his knees with both arms. He has black hair which is long and brushed back on top and short on the sides. He wears a black trench coat with the collar of his black shirt visible. The tombstone is about 2 feet (.609 meters) high and has a carved skull and crossbones emblem on its rounded top. The inscription reads, “Here lies buried the body of M. James Jeffrey who died Feb. 13th, 1755.” In the background are several other tombstones of assorted sizes.
John in Salem’s Charter Street Cemetery, also known as the Old Burying Point. (Photo & Copyright © by Fred Berger)

A year later, I traveled with Propaganda model John Koviak to Salem, Massachusetts, scene of the infamous Salem Witch Trials of 1692 to 1693. Ironically, this quaint colonial town had become America’s witchcraft capital, home to numerous covens and practitioners of The Old Religion. Our photoshoot took place in the picturesque Charter Street Cemetery, the city’s oldest burial ground opened in 1637. It is the final resting place of two of the trial’s judges, although most of the 20 innocent people they condemned to death were interred in unmarked graves at the execution site known as Gallows Hill. A dedicated memorial now pays tribute to these victims of mass hysteria.

This horizontal Black & White photo depicts the same human skull from the first photo, which is being held by the same woman who has placed it on top of a tombstone. The skull has no lower jaw or teeth but is otherwise intact and in very good condition. She stands behind the gravestone and is visible from her right hip to her shoulders. From this angle the lowcut V-neck of her dress reveals much of her breast just shy of showing cleavage. Each finger of her right hand has a ring. The grave marker is decorated with the carved image of an angel’s face with two wings spreading out on either side of it. This somewhat primitive rendering also includes a depiction of two flowers flanking the angel’s head. The top of the tombstone is a rounded arch, and its total height appears to be about 3.5 feet (1.07 meters) high. Two smaller tombstones appear in the grassy field behind and to the right of it.
Bone on stone, where the corporeal transitions to the ethereal in Milford Cemetery. (Photo & Copyright © by Fred Berger)

Content © by Fred Berger

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