It was at Danceteria, New York’s leading alternative nightclub of the 1980s, that I was first introduced to the salacious phenomenon of latex fetish wear. While browsing at the Trash & Vaudeville rock boutique on St. Marks Place in the East Village, I noticed the club’s flier promoting the Pure Sex fashion show on the night of 26 August 1985. It’s S&M style artwork caught my eye, so I made the decision to attend the event to cover it for Propaganda Magazine. Peering through the lens of my Nikon FM, I viewed with rapt fascination the tantalizing spectacle of sleek latex clad models ruling the runway, knowing in an instant what a sensational photo feature it would make. As it turned out, Pure Sex was the cover story of Propaganda Issue #6/Spring 1986, filling four pages with heart-throbbing rubberized models unabashedly strutting their stuff, with a flash of bare derriere for added titillation.
Pure Sex was the brainchild of designer Dave Darcy Edmond, initially in partnership with stylist and club promoter Kitty Boots. He was largely influenced by the illustrations of John Willie, publisher and editor of the seminal fetish magazine Bizarre from 1946 to 1956. Bizarre’s femme fatales and dominatrixes, together with female goth and postpunk icons, fueled Edmond’s decadent imagination, resulting in a fetishistic line of latex apparel, clubwear, footwear, and printed T-shirts. From the time of its launch in the mid-1980s until it went on extended hiatus a decade later, the company operated two London retail stores – Pure Sex in Kensington Market and Hyper Hyper. Its American distributor was Trash & Vaudeville, and it was also sold across Europe as well as in Japan. Not only was it a noted brand in the BDSM community, but also in the underground fashion and goth-industrial scenes.
In addition to his Pure Sex venture, throughout the ‘80s Edmond was a leading designer at the famous alternative fashion house Boy of London. In the ‘90s he was a prominent photojournalist and scene correspondent for the British fetish magazines Skin Two, Zeitgeist, Ritual, and Fetish World UK. From 2000 to 2002, he was associated with the New York dungeon Pandora’s Box as a professional dom and editorial staff member of the periodicals they published including The Vault, Simply Gorgeous, and American Dommes. His seemingly ubiquitous presence, incredible drive, and exceptional talent have left a lasting legacy, which will surely exert its influence on future trends.